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DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20261207
DTSTAMP:20260928T145548Z
CREATED:20260928T145548Z
LAST-MODIFIED:20260928T145548Z
UID:10017889-1789257600-1796601599@www.acaac.org
SUMMARY:Miguel Braceli: UNBURIAL
DESCRIPTION:Unburial treats absence as a site for learning and reflection. The void left by the Liberty Tree becomes more than metaphor: an art intervention transforms it into a place to be repurposed and reclaimed through rituals and celebrations that probe what freedom means today. \nOn the front lawn\, where the Liberty Tree once stood\, the artist Miguel Braceli has installed a 40′-diameter circle of cemetery vases filled with common wildflowers. It calls attention to the tree’s absence and reclaims it as a tree for all people\, not just the privileged and elite (e.g.\, the Sons of Liberty and the four Annapolis signers of the Declaration of Independence). \nIn the museum\, Braceli\, with a team of fabricators\, created three enormous murals and two other works. The murals perform an autopsy of the tree. The largest multiplies the tulip poplar’s distinctive leaf shape across a 33′-long wall in a wind-swept swirl of energy (the leaves were made from stencils of the Liberty Tree scion’s actual leaves). A second mural abstracts the tree’s tangled root system into a water-bearing drawing (using PVC tubing) that sprouts purple carnations. The third mural’s subject is the tree’s massive trunk\, which was cut to pieces in 1999\, with much of the wood later finding commemorative as Liberty Tree guitars\, conference tables\, and bible boxes. Onto nine chalkboards\, Braceli has mounted nine pieces of raw wood\, each supporting live orchids. What can we learn anew from this tree?\, it seems to ask. \nThe two other works urge us to turn away from nation-state identities and to look and listen more closely to nature. A sculptural ear is mounted onto the red silhouette of a rose petal\, borrowed from the work of Columbia-born\, Venezuela-based artist Roberto Obregoń. Nearby\, a flag of yellow roses hangs from a flagpole that has been fabricated from a branch. \nAdmission & Hours \nFree & open to the public \nWednesday\, Thursday\, Saturday\, and Sunday\, 10 a.m. to 6 p.m. \nOpen Fridays\, 12 to 7:30 p.m. \nParking & Accessibility \nFree parking is available on campus after 5 p.m. during the week and all day on weekends. Handicap parking spots are located in the Edensword Parking lot off of St. John’s Street between College Avenue and Calvert Street (at the yellow house). The museum is located on the ground floor of Mellon Hall. \nPresented in collaboration with Annapolis Pride\, Historic Annapolis\, and the Maryland Commission on Indian Affairs. Major funding for this project was provided by Chesapeake Crossroads Heritage Area.
URL:https://www.acaac.org/event/miguel-braceli-unburial/
LOCATION:Elizabeth Myers Mitchell Art Museum\, 60 College Avenue\, Annapolis\, Maryland\, 21401
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/jpeg:https://www.acaac.org/wp-content/uploads/2026/09/MB-web1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20261207
DTSTAMP:20260928T145626Z
CREATED:20260928T145626Z
LAST-MODIFIED:20260928T145626Z
UID:10017890-1789257600-1796601599@www.acaac.org
SUMMARY:Surveilled or Seen: Sinew of Trust in the Video of Marina Abramović and Lynda Benglis
DESCRIPTION:The idea of this exhibition is grounded in a question: what is the difference between being looked at versus being witnessed? Between being invasively surveilled versus deeply seen? \nMarina Abramović and Lynda Benglis — with Rest Energy (1980) and Lynda Benglis’ Monitor (1999)\, respectively — explore what it costs us to trust each other and how important it is that we do. As we watch these two videos unfold\, we are invited to sit with how much social cynicism deteriorates us\, if we allow it to take over and transform our will to trust into one to control. As an antidote to this\, each artist seems to posit that we must instead relinquish control if we hope to be loved. Love\, then\, becomes indistinguishable from the act of choosing not to monitor someone fearfully\, but to witness them vulnerably. \nIt is a terrifying and brave\, humbling and life-giving choice. We hope watching these works of art help it become easier to make. \nFunding for this project was provided by Laura Ricciardelli and David Watt\, and the Arts Council for Anne Arundel County.
URL:https://www.acaac.org/event/surveilled-or-seen-sinew-of-trust-in-the-video-of-marina-abramovic-and-lynda-benglis/
LOCATION:Elizabeth Myers Mitchell Art Museum\, 60 College Avenue\, Annapolis\, Maryland\, 21401
CATEGORIES:Exhibit
ATTACH;FMTTYPE=image/jpeg:https://www.acaac.org/wp-content/uploads/2026/09/AbramaBengw.jpg
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